When the musicians left the stage at the end of the performance the audience stomped their feet for an encore.
The group obliged with a lively finale of the folk classic, Polska efter Bysskalle, which Benny often performs with his own band BAO.
Afterwards Benny and the members of Systerpolskan remained in the room for some time, chatting with family, friends and fans alike.
Systerpolskan’s new album Randig kjortel, featuring Benny on piano, keyboard and accordion, is available now on CD and digital formats. The release features 10 new compositions plus traditionalsongsfromUppland andDalarna.
Benny Andersson will contribute a piece of music for the next production by acclaimed Swedish artist, playwright and director, Marie-Louise Ekman, Försökskaninerna.
The play, which is the third in a trilogy of stagings which highlight issues relating to a mother’s progressive ageing, will open at ‘Dramaten’, Stockholm’s Royal Dramatic Theatre, in March 2017.
Benny has worked extensively with Marie-Louise since she designed the artwork for his solo album November 1989. The pair havecollaborated on a wide variety of TV, film and theatrical projects, including both previous instalments of the Försökskaninerna trilogy.
“I always say yes if she asks me,” Benny told us. “She has a lot of artistic soul and her work is very, very original,” he explained.
For the forthcoming production Benny will write a song with lyrics by Marie-Louise.
The last play featured purely instrumental music.
Benny said: “The piece I wrote for the second play is a tune that I have never used again anywhere else. It is actually one of the tracks that I am considering including on my piano album.”
Tickets for all performances of Försökskaninerna, including previews and opening night, are on sale now via the link below.
On Saturday 29 October, Benny Andersson, together with fiddlers from Orsa Spelmän and BAO members Göran Arnberg (keyboard) and Pär Grebacken (clarinet), joined the acclaimed organist Gunnar Idenstam and nyckelharpa player Johan Hedin, for a one-off concert at the 11th century Nidarosdomen, in Trondheim, Norway.
The performance got underway at 8pm as Benny, playing accordion, led his fellow musicians in a processional up the candlelit aisle of the cathedral to take their place on ‘stage’ beneath the pipes of the magnificent Steinmeier organ.
Although the 2 hour event ran without an interval, it was split into three distinct sections:
The first five pieces performed were all Swedish folk tunes, including a beautiful and moving composition by ‘Perra’ Moraeus, Koppången and Benny’s Machopolska.
Benny and the fiddlers left the stage while Gunnar – who performed with Benny in Piteå back in 2012 – and Johan played a varied selection of traditional and self-penned pieces for organ and nyckelharpa accompanied by Göran Arnberg.
The final third of the evening was dedicated to some of Benny’s most famous choral music, Vilar glad. I din famn, Kärlekens tid, O klang och jubeltid, Anthem and En skrift i snön. All vocals, including solo sections, were sensitively performed by the Nidarosdomen choir.
To the surprise of the cathedral’s 1000 capacity congregation, the evening concluded with an un-programmed finale which was in marked contrast to the, until then, classical tone – a loud and rousing rendition of Dancing Queen.
The previously sedate audience erupted with whoops of delight and were instantly on their feet, singing, clapping and even dancing in the aisle. When the musicians eventually left the stage, they did so to a standing ovation.
Afterwards Benny told icethesite that he had enjoyed the occasion immensely. “It is always fun to try new things and wonderful to have the opportunity to work with such talented musicians as Gunnar and Johan again,” he said.
There are no plans to repeat the concert and no official recording was made.
All four members of ABBA, entertainment entrepreneur Simon Fuller, and Universal Music are partnering together in a groundbreaking venture that will utilise the very latest in digital and virtual reality technology.
Fuller came to prominence through managing pop group the Spice Girls.
He went on to create the Idol franchise and has managed the careers of some of entertainment and sports biggest stars, including Victoria and David Beckham, Annie Lennox and Lewis Hamilton.
In 2008, he was certified as the most successful British music manager of all time by Billboard magazine and even has a star on the Hollywood Walk of Fame.
The aim of the link up between Fuller and the ABBA members is to create an original entertainment experience, which will enable a new generation of fans to see, hear, and feel ABBA in a way previously unimagined.
Simon Fuller has been quietly invested in virtual reality technologies, developing hyper-realistic digital humans in the field of entertainment, for several years.
About the project, Frida said: “Our fans around the world are always asking us to reform and so I hope this new ABBA creation will excite them as much as it excites me!”
The collaboration with ABBA will fully realise the possibilities of virtual reality ‘ahead of the curve’ – and in the process hopes to transform the face of popular entertainment.
The members of ABBA will be involved throughout the creative process maintaining the authenticity and integrity of the band’s original vision within this exciting new realm of possibilities.
Simon Fuller: “Having seen over the past few months the creativity and ideas flowing from the members of ABBA, it fills me with great excitement.
“This new technological world we are exploring, with Virtual Reality and Artificial Intelligence at the forefront, allows us to create entertainment and new content in ways that could never previously have been imagined.”
Sir Lucian Grainge, Chairman and CEO of Universal Music Group said: “I’m thrilled to be involved in this innovative new project that will introduce the band who are responsible for some of the greatest songs and melodies in pop music to a new generation of fans.”
A press release to herald the new project states: Nearly 35 years after their last public performance together, the members of ABBA are preparing to give their fans around the world what millions of them have long dreamed of but considered impossible: A new entertainment experience.
Benny said: “We’re inspired by the limitless possibilities of what the future holds and are loving being a part of creating something new and dramatic here.”
icethesite hopes to be able to share a few more details of this exciting and pioneering collaboration, with the full backing of Agnetha, Frida, Benny and Björn, soon – but the full details of the project and where and when you can see it will be announced in 2017.
In an interview with icethesite Benny announced that he has decided to mark his upcoming 70th birthday with the release of a solo piano album.
“I’ve actually been thinking about it for a while but haven’t had the time. Now I do and it kind of feels right,” Benny said. “I think it’s going to be fun!”
Although he has not chosen exactly which tracks to record yet, they will all be his own melodies and he says that he intends to include pieces from every phase of his musical career from 1965 through to 2016.
“Some pieces, such as Mountain Duet from CHESS, are really suitable as piano solos whereas others, Waterloo for example, just don’t work,” he said. “It will depend on what feels good in my hands when I play.”
Benny hopes to start work on the project next week, but as he wants to record the album on the piano that is currently in his office rather than the one in the studio, he needs to get it moved first.
“My office piano has electro-magnetic sensors which makes editing easier,” he explained. “I fear that I am getting rather particular, but I don’t want to hear myself playing sounds that are too perfect,” he said.
Benny doesn’t plan to feature any other musicians or an orchestra on the release, making it the solo recording that many people have hoped he would make for a long time.
The album will be released on vinyl as well as CD and digital file formats. In addition, a book of sheet music will also be made available.
“I like the idea that anyone who can play a little, young or old, talented musicians or otherwise, can take it home and give it a go themselves,” Benny told us.
Benny is not sure if he will get the album completed before his actual birthday on 16 December due to the pressure of other commitments.
“Probably not, but we’ll see,” he said. “It would be nice if I could, but Spring 2017 is more likely,” he concluded.
Occasionally, Benny has played around on the piano, just for fun, as part of being filmed for this site and below is an example of Benny’s wonderful playing on the ABBA song Happy New Year.
Benny Andersson together with BAO fiddlers Orsa Spelmän and keyboard player Göran Arnberg are going to play a one-off concert in Norway.
The appearance will be with the acclaimed organist Gunnar Idenstam and nyckelharpa player Johan Hedin at the 11th century Cathedral, Nidarosdomen, in Trondheim on Saturday 29 October 2016.
Benny has told icethesite that the concert will certainly include his track, En skrift i snön, written for the Piteå organ in 2012, as well as pieces such as Kärlekens Tid and Vilar glad. I din famn. Vocals will be performed by the Nidaros Cathedral choir.
Nidarosdomen features a 9600 pipe, 1930’s Steinmeier organ which was originally commissioned to commemorate the 900th anniversary of St Olav’s death at the Battle of Stiklestad. At the time of construction it was the largest pipe organ in Europe. A full restoration was completed in 2014.
Benny says that the concert was originally organist Gunnar’s idea, but that he had immediately thought it would be a really nice thing to do and was immensely looking forward to playing in the cathedral.
On Thursday evening (22 September) Benny Andersson took the stage at the Uppsala Konsert & Kongress Centre for the first in a series of concerts with Gustaf Sjökvists Kammarkör (GSKK).
The Kärlekens Tid tour showcases a selection of modern choral pieces together with all 11 Benny penned tracks from the choir’s 2015 album of the same name, including En skrift i snön, Anthem, Vilar glad. I din famn, Klinga mina klockor, and O klang och jubletid.
Towards the end of the performance, Benny delighted the 1,100 capacity audience and members of the choir alike, with a piano solo of Thank You For The Music.
The idea for the album was that of the choir’s founder Gustaf Sjökvist who thought that Benny’s music suited the choir perfectly because of it’s strong classical roots. Sadly, Gustaf passed away before the album’s completion, but the choir continues to perform in his memory.
The current tour is being conducted by Cecilia Rydinger Alin, Rector of Stockholm’s Royal College of Music, Kungliga Muiskhögskolan, of which Benny is a member of the advisory board.
Before last night’s show, Cecilia told us that the Kärlekens Tid project is one that is very close to her heart:
“The coming together of Gustaf’s choir and Benny’s music is something really special. It is such a joy to have been involved from the start,” she said. “Being on tour with the choir and playing at such wonderful concert halls is going to be a really fun experience.”
Benny said that performing with the choir was such a different experience than being on stage with his band:
“It is so much more intense than playing with BAO,” he said. “Then I am just one of fifteen. I can play or not, as and when I like and no one really notices if I make the odd mistake!”
Benny says that he would very much like to record another album of his music with the choir, but that it probably won’t happen for a year or two due to other commitments.
The tour continues on to venues in Gävle and Västerås before concluding at Eric Ericsonhallen in Stockholm on 9 October 2016. Tickets are available via the link below.