2018 proving popular for major CHESS productions

This year sees a host of new professional productions of the Benny Andersson, Björn Ulvaeus and Tim Rice musical CHESS on both sides of the Atlantic.

Ramin Karimloo and Ensemble in Chess. Photo by Teresa Wood.

Washington D.C.

In February, the Tony Award winning producer, Michael Meyer, presented a new semi-staged concert version of CHESS at the Kennedy Centre in Washington D.C., to open the theatre’s ‘Broadway Center Stage’ season of short-run shows.

The five night only production which featured a revised book by Emmy Award winning writer, Danny Strong and a re-ordering of the musical’s songs, was staged with the full support of Benny, Björn and Tim Rice.

“We have all been behind this production from the outset,” Benny told us. “Björn, Tim and my son Ludvig went over to meet with the producers last year and I met the musical director in London,” he said.

The all-star cast including, Ramin Karimloo (Anatoly), Raul Esparza (Freddie), Ruthie Ann Miles (Svetlana) and Karen Olivo (Florence), were backed by a stellar team of decorated choreographers, lighting, sound, costume and set designers.

Simply staged, the cast sat on chairs for a large part of the performance, while the 19 strong Opera House Orchestra played behind them, elevated on platforms of scaffolding adorned with oversized Chess pieces. The set consisted mainly of two giant projection screens showing period news clips from the Carter/Reagan Cold War era.

However, despite unanimous praise for CHESS’ musical score along with the cast’s vocal performances and Danny Strong’s new book being described as sharp and funny, the reviews from the press have been somewhat mixed. With a running time of 2 hours 50 minutes the show was generally considered to be too long and the story has been criticised as contrived and convoluted. On the other hand, “Come for the sublime Broadway performances. Stay for the fresh book and the rock ’n roll.” said another.

According to Benny, their initial aim had been to take the show back to Broadway, however the final decision as to whether it will go further has yet to be made.

“It is still very much on the cards,” he said. “But we shall see…”

The Danish touring production has been very well received by fans and critics alike
The Danish touring production has been very well received by fans and critics alike

Danish tour

Running from mid-January until the end of March, this first professional Danish language version of CHESS is scheduled to play at 5 venues across Denmark:

19 January – 17 February : Tivoli Concert Hall, Copenhagen
20 February – 3 March : Musikhuset, Aarhus
6 March – 10 March : Odeon
13 March – 17 March : Musikteater, Vejle
21 March – 24 March : Musikteatret, Holstebro

The touring company, directed by Mark Clements, stars Stig Rossen as the Russian, Anatoly Sergievski, Bjarne Langhoff as the American, Freddie Trumper, Pernille Peterson in the role of Svetlana and Xenia Lach-Nielsen as Florence, while Jakob Zethner plays Molokov and Kristian Vetter, The Arbiter.

The cast are backed by an orchestra consisting of just seventeen musicians with music specifically re-arranged for their small number by Anders Eljas.

The tour has received a host of five star reviews from the Danish press and although neither Benny nor Björn have had any involvement with or yet seen the production, their personal representative, Görel Hanser, did travel to Copenhagen to watch a performance and has given the show her approval.

A collection of images and video footage from the production along with all the performance details and ticket information can be found on the tour’s official website.

Limited to five weeks, CHESS will be staged in London by the English National Opera

London

On 26 April the English National Opera (ENO) will present the first West End production of CHESS for over thirty years at The London Coliseum.

The ENO’s award winning orchestra and chorus will be joined by Michael Ball as Anatoly, Alexandra Burke as Svetlana, Tim Howar as Freddie and Cassidy Janson as Florence.

Murray Head, who played Freddie Trumper in the original London production and scored an international hit in 1984 with the single, One Night In Bangkok, from the CHESS concept album, returns to the musical in the role of The Arbiter.

Benny has told us that although the precise format of the ENO production has not yet been agreed, it will be predominantly based on the Swedish concert version with a little from the 1986 London production added in.

“Maybe there will be costumes and some sets,” he said, “I’m not entirely sure, but probably not a full staging,” he concluded.

All the musical arrangements and orchestration, which Benny hopes will include the song He’s A Man, He’s A Child, written for Chess på Svenska in 2002 and therefore not previously performed in the West End, is being undertaken by Anders Eljas.

Tickets for the production, which will run for a limited five week period until 2 June 2018, are available now on the ENO’s official website.

Helsinki’s Svenska Teatern is staging CHESS this Autumn.

Helsinki

Following the enormous success of their previously staged Benny and Björn musicals, Kristina från Duvemåla and Mamma Mia!, Svenska Teatern are, this Autumn, launching a production of Chess på Svenska.

The show will feature both a newly edited script from Lars Rudolfsson and fresh orchestrations by Anders Eljas.

Although the full cast has not yet been announced, we do know that it will be produced by Maria Sid and star Maria Ylipää as Florence with Alexander Lycke in the role of Anatoly.

Benny has confirmed that he will be actively involved with the production which premieres in Helsinki on 8 September. Tickets for performances up to 31 January 2019 are currently available via Svenska Teatern’s official website.

Future productions?

With all the current interest in CHESS, we asked Benny if there was more to come?
“The corpse is moving!” he joked.

There’s more…

2 Replies to “2018 proving popular for major CHESS productions”

  1. Marco Dirven: Having seen both the Copenhagen and Washington productions I am convinced that from now on they should use the Washington script. Copenhagen was beautiful but that still used the difficult London book. The Washington book provides a much clearer storyline, the characters are better developed and it was very funny.

  2. Michael Salkeld said: For me It has to be based on the original London show.
    I love Chess in concert and this new English National Opera production sounds even better!! I would love to see it.
    when Chess was on in Newcastle I lived in London, now I live in Newcastle Its on in London( you could say Im back where I started from)
    I will have to see how train fares and suchlike pan out,

    This London Show sounds fantastic!!!!!!

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